#Nanowrimo The Kernel Idea: The Alpha and Omega of Your Book

You have to start somewhere.

Have you ever listened to a writer who just recently started a new project? They are practically jumping out of their pants with excitement. Their eyes light up and oddly enough, they break out of that introverted shell and start babbling away about their latest novel.

This is at the core of the Kernel Idea. The spark of inspiration. That one thing that made you believe you could sit alone in a room and write 100,000 words. However, when the writer hits the 50k mark they often forget what excited them in the first place.  As you go through Nanowrimo, are you starting to sputter out?  The flame flickering low?

The kernel idea is the Alpha and the Omega of your book.  By that I mean it starts your creative process and it completes it.  It’s what you begin with and at the end of the manuscript, everything in the book points toward it.

The kernel idea is the foundation of your novel.  When I say idea, I don’t necessarily mean the theme, although it can be.  Or the most important incident, although it can be.  But it can also be a setting.  It can be a scene.  It can be a character.

It is simply the first idea you had that was the seed of your novel.  All else can change, but the idea can’t.  It might be a place; a person; an event; a moral; whatever.  But you did have it before you began writing and you must remember it as you write.  If you don’t, your story and style will suffer terribly.  You should be able to tell your idea in one sentence.  And repeat it to yourself every morning when you wake up and prior to writing.  Knowing it will keep you on track.

Every new book I begin, I write out this one sentence on a word document as the very first writing I do.  I print it out and put it where I can constantly see it.

A Test

Can you clearly state what your book is about in 25 words or less? This is a key, essential ingredient of writing a good book. This idea keeps you focused and on track. It is important to:

  1. Write The Kernel Idea down.
  2. Ask yourself what emotional reaction does it bring about.

Good writing and strong characters are the key to great writing and knowing what excited you to write the book in the first place will bleed onto the page. However, if you don’t write it down, you might forget and get lost along the way.

What Is Your Kernel Idea?

  • Good news is you had one.
  • Bad news is you probably forgot it.
  • It is usually the first thought you had (the spark of inspiration)
  • It is the foundation of your book, the seed.

KERNAL IDEA EXERCISE

Write down the idea behind your current project.

If you can’t do it, then you need to backtrack through your thought process to find it, because you had it at one point. Everything starts from something. While idea is not story (something I will talk about later) idea is the only thing in your manuscript that won’t change. Your story can, but your idea won’t.

In one of my early novels, the original idea was an action:  What if Special Forces soldiers had to destroy an enemy pipeline?  That’s it for Dragon Sim-13.  Not very elaborate, you say.  True.  Not exactly a great moral theme.  Right.  But with that original idea there was a lot I could do and eventually had to do.  I had to change the target country after the first draft.  But that was all right because I still had the idea.  I had to change characters, but that was fine too, because it didn’t change my idea.  I had to change the reason why they were attacking a pipeline, but again, the original idea was the same.

You will have plenty of latitude for story after you come up with your kernel idea; in fact, I sometimes find the finished manuscript turns out to be different from what I had originally envisioned, but one thing is always true: that kernel idea is still there at the end as the Omega.

For my first kernel idea, I made it as simple as possible to enable me to focus on the writing because when I was in the Special Forces my A-Team had run a similar mission on a pipeline.   Since I had a good idea what would happen in the story, I could concentrate on the actual writing of the novel.

I’ve sat in graduate literature classes and heard students say:  “The author had to have a moral point in mind when they wrote that book.”  I agree, but sometimes it is not at the forefront of the story.  Many authors write simply to tell a story started by that kernel idea, which indeed might be a moral point, but sometimes is a story that they wanted to tell and the theme developed subsequently.

A moral or theme (screenwriters call it intent) always does appear in a book by the time it’s done.   No matter what conscious expectations or thoughts an author has when they start writing, a lot more appears in the manuscript than they consciously anticipated.

After you have that kernel idea, you should spend a lot of time wrestling with it and consciously uncover your feelings and thoughts about it.  I try to look at my main characters and determine what will happen to them emotionally, physically and spiritually as they go through the story.  Who are they at the beginning of the story and who are they at the end?

This is an example of being aware of what you are doing. Not all authors have a conscious theme when they write a novel, but experience has taught me that it is better to have your theme in your conscious mind before you start writing.  It might not be your original idea, but it will definitely affect your characters and story.

The reason it is important to have a theme in mind is because people want to care about what they read and the characters.  If there is some moral or emotional relevance to the story they read, they will become more involved in the story and enjoy it more.  Even if the reader doesn’t consciously see it either.

Writers balk at the Kernel or one-sentence idea. How can you be expected to write the entire essence of your epic novel in one sentence? You are told that every word, every sentence, every paragraph and every scene must have purpose, so how can any writer sum up their work in twenty-five words or less?

It’s simple. Your story started with an idea. The idea wasn’t much. If you write it down when you think of it, then summarizing your story in one-sentence is just that much easier.

One way to work on understanding the Kernel Idea is to take your favorite movie or book and try to figure out the Kernel Idea. This will help you narrow the focus and see how it is the foundation of everything in the story.

Do you know what your kernel idea is?

(In the next post on Saturday, I’ll give examples of Kernel Ideas)

WRITE IT FORWARD

About Bob Mayer

Bob Mayer is a NY Times Best-Selling multi-published author and co-creator of Who Dares Wins Publishing. He is a West Point graduate, served in the Infantry and Special Forces (Green Beret) commanding an A-Team and as a Special Forces operations officer; and was an instructor at Fort Brag. He teaches Novel Writing, Warrior Writer and does keynote speeches. For more information on Bob visit his website: www.bobmayer.org.
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9 Responses to #Nanowrimo The Kernel Idea: The Alpha and Omega of Your Book

  1. authorguy says:

    The first idea I had for St. Martin’s Moon was “a werewolf attack on a lunar colony.” That became the starting point, but the book moved off on its own almost immediately after that. The hero resolved the attack by the 2/3rd point, but by then something bigger had come up. Even the genre had changed. The story was about curses, and how the bearer deals with them. I didn’t realize this until two years after the story was finished, and I was in the middle of a blog tour for it. I have a tagline and a logline for it, but no more in-depth summary than that. Both of them were developed after the book was done.
    I suspect this advice, which is really good by the way (St. Martin’s Moon was really painful to write), applies more to more realistic stories rather than less, and more plot-driven stories rather than character-driven. I’d be interested in other people’s experiences in this matter.

  2. Woah, someone else with werewolves in space? Awesome!

    I just recently did a Kernal type sentence for my NaNo Novel: “Two lovers discover their lost past and the plight of enslaved werewolves.” It works fairly well, and looking at it mean I can save the rescuing of the enslved werewolves for another book *whew*. But if the setting is important (as in this is set in space, on colonized planets), should I include that? I’ll be looking forward to your Kernal examples, which I suspect will probably answer that question.

  3. The best to you , Cathryn. Space travel and werewolves? Now that’s a phat kernel. She only knew she had an insatiable desire to travel. How could she have known she would travel through time helping lost souls find their proper afterlife? With that Elizabeth “Lizzie” Brogan sets out to solve her Aunt Annie May’s conundrum: How to get to Annie, once a successful musical star, to the stage door of The Belasco Theatre in time for the rehearsal of her latest Broadway musical twenty years after she died?

    Thanks, Bob. I look forward to more on Sunday :)

    • He he Thanks Left Rambler. :}

      I had fun making my werewolves biologically possible. They really don’t go worlf at all, but just become very shaggy people, who have to resort to mental communication due to swelling in the throat and tongue… Apparently i’m still in the ‘honey moon’ phase of writing this because I’ll gush about it to anyone. :}

      As to your Lizzie Brogon, does she ever get mixed up with Lizzie Bordon? :}

  4. Jen Talty says:

    What if someone was killing off your patients and was no going after the daughter you gave up twenty years ago. What if that someone was the father of your child and worst nightmare come true?

    Still sounds a bit cheesy, but only have about 30k written. Lots more work. But what is really cool is the three books I wrote before this–The Harvester, Evil Says and Legacy of Lies are no tied to this book via characters, setting and theme. Of course, major rewriting because I realized a lot of things, one being the darkness I so love to write is dark in all the wrong places. Once I fix that…time to rock and roll. Me a happy writer.

  5. Thanks so much for this post, I had an absolute moment of clarity after I read it. I sat down and wrote up the key links in the chain that run through all my work….the Kernal is ‘how the human mind moves either toward or away from its potential. Being able to describe this process for and around each character is the way I build the story up and hopefully keep the reader inside the character’s world. Anyway, something in the universe must have lined up because later today I had an unexpected email that will take me on to an exciting new project!
    Sometimes changing your thinking is more important than editing the work.

    Jane

  6. Pingback: Blog Treasures 11-19 « Gene Lempp's Blog

  7. LKWatts says:

    You speak some very wise words here. Thank you.

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