I think I’ll start this off backward. Bob is taking care of The Future Leader of the Resistance prepare for the coming of another Future Leader of the Resistance. I’m sure this will consists of lots of trucks and other manly things.
Now lets jump to the first part: The Battle of Palo Alto. I’m not the history buff that Bob is, but I am fascinated by history. I’ve learned a lot over the years working with Bob, probably more than I ever thought I wanted to know, and really, need a random fact, Bob is your guy.
The very first major battle in the Mexican-American War was The Battle of Palo Alto on May 8, 1846 in Brownsville, Texas. So, in honor of this battle we are giving away West Point to Mexico, the first book in the Duty, Honor, Country Trilogy for FREE. This is only available on Amazon.
Please feel free to leave an honest review on Amazon after downloading and reading the eBook. We appreciate the support. READERS RULE!
They swore oaths, both personal and professional. They were fighting for country, for a way of life and for family. Classmates carried more than rifles and sabers into battle. They had friendships, memories, children and wives. They had innocence lost, promises broken and glory found.
Duty, Honor, Country is history told both epic and personal so we can understand what happened, but more importantly feel the heart-wrenching clash of duty, honor, country and loyalty. And realize that sometimes, the people who changed history, weren’t recorded by it. In the vein of HBO’s Rome miniseries, two fictional characters, Rumble and Cord are standing at many of the major crossroads of our history.
Our story starts in 1840, in Benny Havens tavern, just outside post limits of the United States Military Academy. With William Tecumseh Sherman, Rumble, Cord, and Benny Havens’ daughter coming together in a crucible of honor and loyalty. And on post, in the West Point stables, where Ulysses S. Grant and a classmate are preparing to saddle the Hell-Beast, a horse with which Grant would eventually set an academy record, and both make fateful decisions that will change the course of their lives and history.
We follow these men forward to the eve of the Mexican War, tracing their steps at West Point and ranging to a plantation at Natchez on the Mississippi, Major Lee at Arlington, and Charleson, SC. We travel aboard the USS Somers and the US Navy mutiny that led to the founding of the Naval Academy at Annapolis.
We end with Grant and company in New Orleans, preparing to sale to Mexico and war, and Kit Carson and Fremont at Pilot Peak in Utah during his great expedition west.
Nothing But Good Times Ahead!
Yeah, you do sort of need one to be a writer contrary to what many who know me think of me. I’d like to say a little bit more about the mind for two reasons: one is that it is the primary tool you use when writing. Second, to write good characters, you need to understand the mind because it is the driving force behind your characters’ actions.
As a “machine” the brain is very inefficient. Physiological psychologists estimate that we use less than ten percent of our brain’s capabilities. (Rent the Albert Brooks movie Defending Your Life and see how he uses this in his story.) In many ways, that is what makes writing fiction so hard and draining: you are trying to expand the portion of your mind that you normally use and tap into your subconscious. A little bit of understanding of that other 90 or so percent is useful. It is commonly called the subconscious or the unconscious and plays a very large role in determining our character (key buzz word). Whether you agree with people such as Freud and Jung, it is useful to know a little bit about their theories. A fully rounded character has a complete brain and while they may only consciously be using ten percent, that other ninety percent affects their actions.
As a writer you will start having dreams about your story and your characters. That is your mind working even when you consciously aren’t. You will also run into “writer’s block” which I believe, when real, is your subconscious telling you to hold until you realize in your conscious mind something important with regard to the story. This is where the “write what you feel” school of creative writing comes in. I believe what they are focusing on is this very thing: the power of the subconscious (90% vs. 10%). It is more than feeling though; it is a large part of your brain and the better you can get in touch with it and use it, the better your writing will be.
There are many experiences a writer should have in order to understand both their own mind and the minds of other people. You have to remember that you are not the template for the rest of humanity. Hard as it may be for some to believe, there are differences between people.
I’ve sometimes said the best thing about a writers’ group is not necessarily the critiquing or networking, but rather watching the different ‘characters’ in the group and trying to figure out what is motivating them to act the way they do.
If you don’t understand yourself both mentally and emotionally, you might have a hard time understanding others. Therapy can be a very useful tool for a writer to dig into their own mind to figure out where they are coming from. Yes, if you’re a writer, you need help as I recommend in Write It Forward.
After listening to many authors speak of their creative processes I realize they are talking on two levels. There’s what they are saying and there is what they are meaning. The saying part often varies, but they almost always mean the same thing. For example, there is the issue of outlining. I know writers who swear by outlining and others who say they don’t outline at all, they just write. However, I’ve also found those who don’t outline tend to do a lot of rewriting, thus the first draft of their manuscript might be considered a very detailed outline. Those writers who do a lot of outlining tend to not want to do much rewriting. But in the final analysis, although the two methods seem very different, they are actually the same in creative essence.
Also remember that there are two sides to the brain. The right side is your creative part while the left is more analytical and logical– this is where the editor part of you resides. Sometimes you have to silence that editor while creating or else nothing will get done.
Are you left brain dominant or right brain dominant, or just plain nuts?