It’s not normal to sit alone and write 100,000 words. So let’s get that out of the way. You aren’t normal. You aren’t in the bell curve and you aren’t necessarily on the good side of the curve. You’re cursed. You write because you have to. You will have to go the therapy. Sorry. That’s the reality of being a writer. It’s that simple.
If you desire to write a novel because you want to have a bestseller and make a bundle of money, my advice for you is to play the lottery; it will take much less time and your odds will be about the same, if not better, and I can guarantee that the work involved will be much less. The publishing business makes little sense and it’s changing faster than ever before. However, I do believe that the more you know, the greater your chances of success. The vast majority of writers are flailing away at the craft and the business blindly. Armed with knowledge, you greatly increase your ability to rise above the rest.
You write for you. You write because you have a story in you that has to come out. This is the core of the art of writing. Pearl Buck said:
“The truly creative mind in any field is no more than this: a human creature born abnormally, inhumanly sensitive. To him a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create– so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out his creation. By some strange, unknown, inward urgency, he is not really alive unless he is creating.”
I believe that passion, which fuels long-term perseverance to be the single most important factor. I also believe that too much discussion on the topic of creativity can actually stifle the drive in some people. They start thinking that they have to do and think exactly like everyone else in order to succeed and that is not true. That is why I say that there are no absolutes, no hard and fast rules in writing. Follow your path.
I have listened to many writers speak, read many books on writing, and while much of what they say is the same, there is often something that is very different. Usually that different thing is part of their creative expression, the way they approach their writing. However, on a core level, I think most creative people operate in a similar manner.
I see people who do #nanowrimo (National Novel Writing Month) where they try to write a certain number of words each day, every day and I have two views of that: it’s good they are getting words down. But are they the type of writer who works that way? I know writers who don’t write every day, but work in creative bursts. They might not write for a week, then knock out 20,000 words in three days. #nanowrimo doesn’t work for them. Stephen King says he write 10 pages a day. That’s great for him. Does it work for you?
Additionally, that is what he says. Does he actually do it? Probably, but maybe not. He’s the only one who knows the truth. Most writers feel a subliminal degree of guilt over getting paid to sit at home and create stories. So sometimes we says things to make it more apparent that we ‘work’. Because it’s hard to explain how hard it is to simply be sitting still, doing nothing, while we develop blinding headaches trying to work our way through our plot while remaining true to our characters. So we use things like word count and page count instead, even if they aren’t true.
When I discuss how to write a novel in The Novel Writers Toolkit, I talk a lot about the craft of novel writing. The art is woven into the craft with deeper insights and when you take craft and twist it by breaking rules. But the first rule of rule breaking is to know the rule. Thus we must learn craft before we look to art.
Craft is the intellectual aspect of writing. The art is the emotional aspect. A great writer engages both the reader’s thoughts and emotions, thus being both a good craftsmen and a good artist.
One of the paradoxes of writing, and something to keep in mind when listening to people talk about writing: They present techniques, ideas and formats that are the “accepted” way of doing things; yet the “accepted” way makes you the same as everyone else who can read a writing book and follow instructions, and your work has to stand out from everyone else’s. So how do you do that? How do you do things the “right” way yet be different?
Everything is a template; do not allow anything to stifle your creativity. Remember the paradox. The best analogy I can come up with is that if you were a painter I am telling you about the paint and the canvas and lighting and perspective, but ultimately you are the one who has to decide what you are going to paint and how to paint it.
Another thing is to understand the techniques and methods, and then use your brilliance to figure out a way to change the technique or method to overcome problems and roadblocks. To be original– an artist– with something that’s already been done. Also to mix techniques and methods in innovative ways.
- Write a lot.
- Before writing a lot, be a voracious reader.
- I also am a big fan of watching a lot of movies and TV specials and series. There are writers who dismiss the television, but there are great writers putting out excellent product in that medium. And we all can learn from any artistic medium. Watching a different medium can also allow you to see new ways of looking at your writing.
- Learn the proper way to do business things in the world of publishing such as having a strategic plan for your career, which is covered under my Write It Forward program and book.
How do you approach writing? Do you do a daily word count like Nanowrimo or do you write in bursts? Do you think watching TV is good or bad for you as a writer?
Can you say what your book is about in 25 words or less? The Write It Forward Workshop: Conflict and Idea, we’ll discuss ways to find and state your original idea so that you can stay on course while writing and revising your book. Conflict drives your story and must escalate throughout your entire novel. One of the techniques we will use in this workshop is the Conflict Box. The Conflict Box is a way of diagraming conflict and allows you to focus on the protagonist, antagonist, their goals and finding out if you have the necessary conflict. The course will begin on 1 February and is done on-line in a Yahoo Loop email delivery system so you can read and work on lessons when its convenient for you. The course runs for one month and costs $50.00. For more details and to sign up go to the Cool Gus Website.